Gordon Hall is an artist based in New York. Hall has exhibited and performed at SculptureCenter, The Kitchen, Movement Research, EMPAC, The Brooklyn Museum, The Museum of Contemporary Art Chicago, Whitney Museum of American Art, Night Club in Chicago, Kent Fine Art, Foxy Production, The Hessel Museum at Bard College, White Columns, and at Chapter NY, among others. Hall has also organized programs at MoMA PS1, Recess, The Shandaken Project, Alderman Exhibitions, and at the Whitney Museum of American Art, producing a series of lectures and seminars in conjunction with the 2014 Whitney Biennial. Hall’s writing and interviews have been featured in a variety of publications including V Magazine, Randy, Bomb, Title Magazine, What About Power? Inquiries Into Contemporary Sculpture (published by SculptureCenter) and in Theorizing Visual Studies (Routledge, 2012). Hall was awarded a Triangle Arts Foundation Residency in 2015, the LMCC Workspace Residency for 2013-14, attended the Skowhegan School of Painting and Sculpture in 2013, and the Fire Island Artist Residency in 2012. Hall holds an MFA and an MA in Visual and Critical Studies from the School of the Art Institute of Chicago. To learn more about Gordon Hall’s work, please visit website.
Gordon Hall is invited to present work at After the Fact, a one day symposium examining the place and potential of The Event. Candidates from the ICP-Bard MFA program will host the symposium on December 12th at ICP School (1114 Avenue of the Americas at 43rd Street, NY, NY 10036). It is free and open to the public.
To learn more about the symposium schedule and speakers, please visit https://afterthefact2015.wordpress.com
Wood, hand-dyed fabric, pigmented joint compound, mosaic,
and off-site performance
Performers: Chris Domenick, Ariel Goldberg, Gordon Hall, Andrew Kachel,
Millie Kapp, Colin Self, Orlando Tirado
Performance duration 60 min. Sculpture dimensions: 66 x 36 x 77 in.
(Image credit: Amy Mills)